10 September Empress Aelia Pulcheria 19 Jan 399 – 18 Feb 453,

 

St Pulcheria’s parents were the Byzantine Emperor Arcadius and Empress Aelia Eudoxia, who had five children.  Flacilla (397) died young.  The younger siblings were Arcadia (400), Theodosius II (401), the future Emperor and Marina (401). 
Empress Eudoxia died in 404 and Emperor Arcadius in 408.  Theodosius II had been proclaimed nominal co-Emperor in 402 and was now Emperor.  Anthemius, his Praetorian Prefect, was Emperor Theodosius’ guardian and the effective Regent of the Eastern Empire.  In 414 he disappears from view and Pulcheria is proclaimed Augusta and ruled as regent for her brother.   Theodosius “was, vacillating and easily led.[1]  Pulcheria, “by contrast, was strong and determined, with a love of power for its own sake; but she was also excessively, extravagantly pious, taking a particular pleasure in the rebuilding of the ruined Haghia Sophia…her two younger sisters Arcadia and Marina developed similar inclinations…the prevailing mood in the imperial palace, it was said was more that of a cloister than a court,…”[2] 
“When Arcadius himself died in 408, he left Theodosius in a precarious situation, with the danger that as Pulcheria and her sisters approached marriageable age an ambitious politician might arrange a union which would destroy the independence of the dynasty. Thus in her fourteenth year (412-13) Pulcheria devoted herself to virginity and persuaded her sisters to do likewise. According to Sozomen, a contemporary author who presumably knew the truth, she acted “in order that she might not bring another male into the palace and might remove every opportunity for competition and plotting.”[3]
Pulcheria’s choice of remaining a virgin, like the Virgin Mary, came out of religious conviction but also political expediency.  She proved herself to be a strong, astute woman in her dealings with the political and religious administrators that she as Augusta found herself encountering.  She was a stronger ruler than her brother who was more like their father Arcadius.  However, unlike Eudoxia, their mother, another strong woman, Pulcheria was overtly Christian and evoked the ire of the religious authorities in different ways to what Eudoxia had done by her flagarant disrespect of the Church.  Eudoxia had been censored by St John Chrysostom, the Bishop of Constantinople, because of the golden statue of herself that Eudoxia had erected outside Haghia Sophia.  Pulcherie and Nestorius had a serious confrontation a few days after Nestorious was appointed Bishop of Constantinople. 
“On an Easter Sunday, probably April 15, 428, only five days after Nestorius was ordained bishop of Constantinople, Pulcheria appeared at the gate to the sanctuary of the Great Church,[4]expecting to take communion within in the presence of the priests and her brother, the emperor.  The archdeacon Peter informed Nestorius of her custom, and the bishop hurried to bar the way, to prevent the sacrilege of a lay person and woman in the Holy of Holies.  Pulcheria demanded entrance, but Nestorius insisted that “only priests may walk here.”  She asked “Why?  Have I not given birth to God?”  He replied: “You?  You have given birth to Satan!”  And then Nestorius drove the empress from the sanctuary…In (Nestorius’) view Pulcheria could not claim Marial dignity – that she had (mystically) “given birth to God” – to justify ceremonial equality with her brother.  Like any woman, Pulcheria was a daughter of Eve, through whom sin had come into the world.[5]
This illustrates the way that Pulcheria identified[6]with Mary, the Mother of Jesus.   As explained above, her commitment to remaining a virgin was probably an astute move to protect herself and her sisters from marriage to men who might come into the palace circle and exploit the situation for their own dynastic ambitions.  This move also enable her to take power and exercise that power over her brother and the Eastern Empire for many years.  Nestorius’ accusation that “you have given birth to Satan!” comes from a belief that sin came into the world only through Eve, the woman, succumbing to temptation whereas Genesis 3[7]seems to state that both Adam and Eve succumbed to Satan’s temptation and through both of them sin came into the world. 
Prior to the confrontation with Nestorius on Easter Sunday 428 Pulcheria’s robe had been used as an altar cover during communion and Pulcheria’s portrait was above the altar of the Great Church.  Nestorius got ride of the robe and also effaced Pulcheria’s portrait above the altar of the Great Church[8]. 
Using the title of ‘Theotokos’ (Mother of God) or ‘Christotokos’ (Mother of Christ) was an indicator of the user’s belief about the nature of Christ.  In Constantinople Pulcheria strongly supported those who referred to the Virgin Mary as ‘Theotokos’ such as Proclus[9]and Cyril of Alexandria.  The ensuing controversy led to the Council of Ephesus (431) which was held in the Church dedicated to St Mary.  This council was primarily to discuss the nature of Christ although one of the decisions of the council was to give the Blessed Virgin Mary the title of ‘Theotokos’.  But that wasn’t the prime purpose of the council. 
Pulcheria adopted the 433 Formula of Union as the key to the Christological riddle: “For there has been a union of the two natures; wherefore we confess one Christ, one Son, one Lord.”[10]
Theodosius, Pulcheria’s brother died in 450 as a result of a hunting accident.  She was barred from continuing as Augusta after her brother died so she married Marcian, an elderly soldier.   Marcion was Emperor in the east from 450 to 457.  
Pulcheria’s actions and plotting are well documented in records written at the time or soon after.  She was a powerful woman who took action in affairs of religion and state in order to achieve the ends she believed in.  She also had a hand in the Council of Chalcedon which met in 451.  Chalcedon is just across the Bosphorus from Constantinople in the Asian Side suburb of Kadıköy.  The Council was supposed to convene in Nicea[11] but in order that Marcian, the Emperor and Pulcheria’s husband could attend it’s meeting place was transferred to Chalcedon.  There is evidence that suggests Pulcheria used her influence to ensure that only compliant Bishops and Clergy attended[12].
During the course of the deliberations the Bishops called out their acclamations of Pulcheria and Marcion: “The Emperor believes thus!  The Augusta believes thus!  Thus we all believe!”  They greeted Emperor Marcian as the “New Constantine, New Paul, New David” and praised Pulcheria because she had restored harmony:
“Many years to the Augusta!  You are the light of orthodoxy! Because of this there will be peace everywhere!  Lord protect those who bring the light of peace, those who lighten the world!”[13]
The assembled clergy identified Pulcheria with the famous mother of Constantine the Great:
“Marcian is the New Constantine, Pulcheria the New Helena!  You have shown the faith of Helena!  You have shown the zeal of Helena!  Your life is the security of all!  Your faith is the glory of the churches!
But all is not good:
“From the inception of the Eutychian crisis, this woman had acted in the manner of her grandfather Theodosius, convinced that the Christological formula she had adopted was correct, and that to restore harmony she had to impose it on her subjects.  For this reason she had returned from ascetic retreat and had married after her brother’s death, that she might prolong her dynasty sufficiently and secure the necessary military backing.  During the year of Chalcedon she directed preparations from the palace, and the council unfolded according to her plan.  The Fathers of Chalcedon admitted as much in the warmth of their acclamations, but they did not declare this to be Pulcheria’s council or recognize in it the ultimate dynastic victory of the Theodosian house.”[14]
Holum’s damming inditement shows Pulcheria’s involvement as political, motivated by the desire for power to achieve her own pre-conceived ends.   A Christian becomes so by a personal commitment to faith, faith involves personal choice, personal commitment not being told by the Augusta, the Empress, what to believe.  It is easy at first glance to think that Pulcheria is of pure motive and pure faith in her commitment to staying a virgin.  Yes, probably an astute move to protect her and her sisters from unwanted sexual advances but neither she nor others had the right to dictate a particular belief, even though it was an orthodox belief.  No right to bully or harass those who thought otherwise. 
History leaves us with the perception of Pulcheria being a person consumed with a love for power rather than motivated the power of God’s love. 

 


[1] Image from: https://www.johnsanidopoulos.com/2016/09/saint-pulcheria-empress-of-romans.html
John Julius Norwich, Byzantium: the earlier centuries,(London: Penguin Books, 1990), p. 140
[2] ibid p.140
[3] K Holum, Pulcheria’s Crusade and the Ideology of Imperial Victory, Greek, Roman and Byzantine Studies 18(1977) 153-172
[4]Haghia Sophia, the Cathedral Church of Istanbul.
[5] Holum K Theodosian Empresses (University of California Press, USA, 1982) p 153-4.
[6]Some might of course say she was deluded.
[7]It’s no accident that the entry of sin into the world is referred to as ‘The Fall’ – ie The Fall from Grace.
[8]Holum K op cit p. 153
[9] He had been ordained Bishop of Cyzicus by Sisinnius but was unable to enter his see because the local clergy and people elevated their own candidate.See Holum p.155
[10] ibid p 199
[11]Modern day Iznik.
[12]Holum op cit  p.213
[13]Ibid p.215
[14] Holum op cit p.216

 

Copyright © 2018 Rev Ros Wilkinson

 

8 September – The Birth of the Blessed Virgin Mary

The Blessed Virgin Mary, Mary, the mother of Jesus, features in the mosaics at Kariye Museum in Istanbul.  I have used my photographs of these mosaics to tell the story of Mary’s birth and early life according to the Protoevangelium of James.  This is an apocryphal writing which can be viewed here:Protoevangelium of James
I refer to the text using PJ #1 – the first paragraph in the Protoevangelium of James.
Mary was a woman who was called to have a key role in God’s plan of salvation for His creation.  She was a woman who was ready and willing to say yes to Jesus.  Once when a woman in the crowd around Jesus said ‘blessed are the breast that suckled you’ – Jesus turned and said of those who followed him that they were his mother, his sister and brother.  The test of our relationship with Jesus is whether we are his disciples.

Copyright © 2018 Rev Ros Wilkinson

7 September – St Kassiani 810-865, Abbess, Constantinople

St Kassiani 810 – 865, Abbess, Constantinople
Kassiani is also known as Cassia, Kasia and Ikasia.  She was a child confessor, a defender of icons during the final way of iconoclasm and a prolific composer of hymns and non-liturgical poetry.
Kassiani was born into a wealthy Constantinople family.   She was educated
She attended a so called “bride show”.  Bride shows were organised by the dowager empresses to find wives for her sons.  In May 830 Kassiani was a participant in a bride-show to find a wife for the Emperor Theophilos.  Edward Gibbons translates the description of the event from the Byzantine chronicles:
“With a golden apple in his hand he, (Theophilos) slowly walked between the two lines of contending beauties; His eye was detained by the charms of Kassiani, and, in the awkwardness of a first declaration the prince could only observe that in his world, women had been the occasion of much evil [in reference to Eve, the first created woman and the cause of man’s sin].  “And surely, Sir,” she [Kassiani] pertly replied, “they have likewise been the occasion of much good”  [in reference to the Virgin Mary, the symbol of woman’s redemption].   This affectation of unreasonable wit displeased the imperial lover; he turned aside in disgust; Kassiani concealed her mortification in a convent, and the modest silence of Theodora was rewarded with the golden apple.”[1]
In this incident Kassiani displayed her wit, genius and advocacy for the female gender. 
Prior to this incident she had had correspondence with Theodore (759 -826), the abbot of the Studios Monastery in Constantinople[2].   Abbot Theodore commended Kassiani for her devout faith and theological astuteness[3].  Sometime after this Kassiani entered a convent and by 843 became the abbess of a convent on Xerolophes[4], a hill near the Stoudios community.   It is probably because of Kassiani’s association with Abbot Theodore and the community of the Studios Monastery that some of her hymns survive till today and are ascribed to her name.  Her hymns were accepted by the Studios Scriptorium and incorporated into what became the Triodion and the Menaion[5].   
Kassiani wrote a hymn based on the story in Luke 7:36-50 of the woman who approached Jesus shortly before his death and after washing his feet with her tears she then kissed them and anointed him with fragrant oil.  Jesus forgives the woman and commends her for her love of him. 

Legend has it that Emperor Theophilos later regretted his decision not to choose Kassia as his bride and he attempted to meet with Kassia at her monastery.  When he arrived Kassia fled to avoid meeting him, he entered her quarters and added some lines to this hymn which Kassia apparently kept in her composition.  
Susan Arida states:
“In the hymn of the sinful woman Kassiani places the sinful woman among the myrrhbearers, connecting the recurring themes of kenotic love and penitential tears. Beginning the text with “The woman who had fallen into many sins, O Lord,” she tenderly transforms the image of a fallen woman into a woman who falls down in repentance, weeping at the Savior’s feet. No longer hiding from God like Eve, this tearful woman perceives that God is before her and, in knowing that, cannot remain standing. Kassiani uses tears to show the woman’s self-emptying of sin. The hymn begs the Lord to “accept a fountain of tears,” giving us an image of renewal like the earth after rain—but a renewal that originates in God, who “gathered the waters of the sea into the clouds.” Reflecting on the kenotic love of God, Kassiani describes his creation of heaven and earth and his ineffable entrance into his creation. In Genesis, God walked in paradise; Kassiani contrasts Eve, who hid in fear from God, to a woman who weeps at the feet of the God-Man. In the plea, “do not despise your servant in your immeasurable mercy,” Kassiani connects Eve to this tearful woman, suggesting that the woman’s tender embrace and her anointing of Jesus is the culmination of a repentance that will free Eve, through the death and resurrection of the one who is anointed. Speaking in the first person, Kassiani does not separate herself from the sinful woman or from Eve, but gives voice to their words, so that they also speak for her, for all women, and in fact for all humanity, revealing this act to have a cosmic and eschatological character. In this moment, a woman, in asking her Savior to hear her wordless lament, captures for all of humanity the reality of an intimate relationship with the God who does not abandon those who yearn for him. She cries “Woe is me!” expressing the sorrow that fills the hearts of those who discover that in their nearness to God, they remain far away. Having emptied herself of the fear that trapped Eve, the tearful woman in Kassiani’s hymn sheds tears of love, which bring her to the transformative presence of the Savior.  In spite of her many sins, she receives his “immeasurable mercy.”[6]
This is an English translation of this hymn which is still sung in the Eastern Orthodox liturgy on the Wednesday of Holy Week:
The woman who had fallen into many sins recognizes Thy Godhead, O Lord. She takes upon herself the duty of a myrrh-bearer and makes ready the myrrh of mourning, before Thy entombment. Woe to me! saith she, for my night is an ecstasy of excess, gloomy and moonless, and full of sinful desire. Receive the sources of my tears, O Thou Who dost gather into clouds the water of the sea; in Thine ineffable condescension, deign to bend down Thyself to me and to the lamentations of my heart, O Thou Who didst spread out the Heavens. I will fervently embrace Thy sacred feet, and wipe them again with the tresses of the hair of my head, Thy feet at whose sound Eve hid herself for fear when she heard Thee walking in Paradise in the cool of the day. O my Saviour and soul-Saver who can trace out the multitude of my sins, and the abysses of Thy judgement? Do not disregard me Thy servant, O Thou Whose mercy is boundless[8].
Kassiani was a woman of deep faith with a keen intellect that she used to compose contributions to the development of the Orthodox Liturgy.  She grew up in the iconoclastic period of Byzantine history and was nurtured by the spiritual wisdom of Theodore the Studite.  Kassiani was immersed in theology for her whole life.  Her hymns are focused primarily on incarnational theology.   Christos Yannaras[9]
“…cites the hymn in his discussion of the “unsearchable immensity” in the sin of the human person and the immeasurable mercy of a personal God for the truly repentant human person…the hymn…is a profound theological statement that conveys the kenotic love of Christ for his creation in spite of its “multitude of sins”.”
Kassiani found a place where she could blossom and flourish and her compositions still speak to the hearts and minds of people today.    

[1] Quoted in Kassia: Byzantine Hymns of the First Female Composer of the Occident by Diane Touliatos.  The insert with a CD of Kassiani’s hymns. 
[2] See: Susan Arida, ‘The Theological Voice of Kassiani’, The Wheel 9/10 (Spring/Summer 2017), 72-76
[3] Ibid p. 73
[4] Diane Touliatos, op cit p.12.  It was near the Constantinian Wall of Constantinople but destroyed in the mid-twentieth century.   
[5] Susan Arida, op cit p.72-74
[6] Ibid p. 74-75
[7]http://saintandrewgoc.org/home/2015/4/7/holy-and-great-tuesday-hymn-of-kassiani-the-nun  This site gives an exposition of the hymn. 
[8]Father George L. Papadeas, Protopresbyter,  Greek Orthodox Holy Week & Easter Services. (Daytona Beach, FL, 1979), pp. 104-105  referred to onhttps://www.goarch.org/-/hymn-of-saint-kassiani 
It is sung on: https://www.youtube.com/watch?v=DHIqvNngR2c
[9] Christos Yannaras, The Freedom of Morality (Crestwood: St Vladmir’s Seminary Press, 1984), p.45 cited in Susan Arida op cit p.72

Copyright © 2018 Rev Ros Wilkinson